{"id":5442,"date":"2026-03-04T11:01:27","date_gmt":"2026-03-04T11:01:27","guid":{"rendered":"https:\/\/fakt24.biz.ua\/?p=5442"},"modified":"2026-03-04T11:01:27","modified_gmt":"2026-03-04T11:01:27","slug":"bejrut-setkani-s-zenami-s-koreny-ktere-se-neustale-vyvijeji","status":"publish","type":"post","link":"https:\/\/fakt24.biz.ua\/?p=5442","title":{"rendered":"Bejr\u00fat: Setk\u00e1n\u00ed s \u017eenami s ko\u0159eny, kter\u00e9 se neust\u00e1le vyv\u00edjej\u00ed"},"content":{"rendered":"\n

ZPR\u00c1VA \u2013<\/strong>  V zran\u011bn\u00e9m, ale neochv\u011bjn\u00e9m hlavn\u00edm m\u011bst\u011b Libanonu \u017eivot nikdy doopravdy nekon\u010d\u00ed.<\/p>\n\n\n\n

Bejr\u00fat p\u0159etrv\u00e1v\u00e1, n\u011bkdy se hrout\u00ed, ale v\u017edycky povst\u00e1v\u00e1.<\/p>\n\n\n\n

Seznamte se s \u017eenami s hlubok\u00fdmi ko\u0159eny ve sv\u00e9m m\u011bst\u011b, kter\u00e9 tvo\u0159\u00ed, p\u0159ed\u00e1vaj\u00ed odkaz a navzdory v\u0161em p\u0159ek\u00e1\u017ek\u00e1m m\u011bn\u00ed budoucnost.<\/p>\n\n\n\n

Toho dne se Bejr\u00fat zd\u00e1l b\u00fdt vzn\u00e1\u0161en ve vzduchu. Nad opu\u0161t\u011bn\u00fdmi ulicemi se vzn\u00e1\u0161elo zlov\u011bstn\u00e9 ticho. Obchody zav\u0159ely okenice, auta ztichla a doprava se prakticky zastavila. Atmosf\u00e9ra byla fascinuj\u00edc\u00ed: byl to poplach, n\u00e1r\u016fst nap\u011bt\u00ed, nov\u00e1 vlna st\u0159et\u016f? Nic z toho. M\u011bsto si d\u00e1valo pauzu p\u0159ed n\u00e1v\u0161t\u011bvou pape\u017ee Lva XIV. \u010cty\u0159icet osm hodin st\u00e1lo hlavn\u00ed m\u011bsto v zamy\u0161len\u00ed, t\u00e9m\u011b\u0159 nehybn\u011b. Vz\u00e1cn\u00fd luxus pro toto m\u011bsto, kter\u00e9 \u017eije z\u00e1vratn\u00fdm tempem.<\/p>\n\n\n\n

Sotva pape\u017e odjel, Bejr\u00fat se vr\u00e1til ke sv\u00e9mu zn\u00e1m\u00e9mu shonu a ruchu: neust\u00e1l\u00fd provoz, nevy\u010derpateln\u00e1 energie obyvatel a jemn\u011bj\u0161\u00ed, ale v\u0161udyp\u0159\u00edtomn\u00fd hukot dron\u016f l\u00e9taj\u00edc\u00edch nad hlavou. Elektrick\u00fd hukot na pozad\u00ed, na kter\u00fd si \u010dlov\u011bk postupn\u011b zvykne. Historie n\u00e1s tady v\u0161echny nau\u010dila, \u017ee v\u0161echno je mo\u017en\u00e9: od dubna 1975 a ofici\u00e1ln\u00edho za\u010d\u00e1tku ob\u010dansk\u00e9 v\u00e1lky m\u011bsto p\u0159e\u010dkalo invaze, ekonomick\u00e9 krize, v\u00fdbuchy a politickou a region\u00e1ln\u00ed nestabilitu. P\u0159esto se navzdory neust\u00e1l\u00e9 nejistot\u011b n\u011bco zm\u011bnilo. Objevuje se pocit obnovy. Pocit, kter\u00fd sd\u00edlej\u00ed ti, kter\u00e9 potk\u00e1v\u00e1me: po tolika utrpen\u00ed ka\u017ed\u00fd nov\u00fd den p\u0159in\u00e1\u0161\u00ed z\u00e1blesk nad\u011bje, obnovenou, t\u00e9m\u011b\u0159 instinktivn\u00ed solidaritu.<\/p>\n\n\n\n

Kino v prvn\u00ed linii<\/h2>\n\n\n\n
\"\"
Hania Mrou\u00e9, \u0159editelka Metropolis.  Tanya Traboulsi<\/em><\/figcaption><\/figure>\n\n\n\n

Hania Mrou\u00e9 zt\u011bles\u0148uje tohoto bojov\u00e9ho ducha naplno. Jako\u017eto \u0159editelka kina Metropolis, instituce v\u011bnuj\u00edc\u00ed se artov\u00e9 kinematografii a ochran\u011b libanonsk\u00e9ho filmov\u00e9ho d\u011bdictv\u00ed, up\u0159\u00edmn\u011b \u0159\u00edk\u00e1: \u201eSituace m\u016f\u017ee b\u00fdt ohromuj\u00edc\u00ed. Ale sv\u011bt je v tak \u0161patn\u00e9m stavu, \u017ee Bejr\u00fat se t\u00e9m\u011b\u0159 c\u00edt\u00ed jako laborato\u0159 pro to, co n\u00e1s \u010dek\u00e1 jinde. V tomto chaosu je kl\u00ed\u010dov\u00e9 dr\u017eet se sv\u00fdch hodnot.\u201c<\/a><\/p>\n\n\n\n

Kino Metropolis, zalo\u017een\u00e9 v roce 2006, je v\u00edc ne\u017e jen kino. Je to prostor pro dialog, sd\u00edlen\u00ed a svobodu. Prom\u00edtaj\u00ed se zde nez\u00e1visl\u00e9 filmy bez cenzury. Re\u017eis\u00e9\u0159i p\u0159ich\u00e1zej\u00ed s div\u00e1ky hovo\u0159it o sv\u00e9 pr\u00e1ci. Vzd\u011bl\u00e1vac\u00ed workshopy umo\u017e\u0148uj\u00ed tis\u00edc\u016fm d\u011bt\u00ed \u2013 t\u00e9m\u011b\u0159 20 000 ro\u010dn\u011b ze sedmdes\u00e1ti \u0161kol \u2013 objevit jazyk filmu. S podporou evropsk\u00fdch a region\u00e1ln\u00edch partner\u016f slou\u017e\u00ed toto m\u00edsto tak\u00e9 jako neofici\u00e1ln\u00ed filmov\u00fd archiv v zemi, kde se st\u00e1t t\u00e9to role st\u00e1hl.<\/p>\n\n\n\n

Pot\u00e9, co Metropolis p\u0159e\u017eil krizi COVID-19 a nucen\u00e9 uzav\u0159en\u00ed sv\u00fdch d\u0159\u00edv\u011bj\u0161\u00edch m\u00edst, se v prosinci 2024 znovu otev\u0159el naproti bejr\u00fatsk\u00e9mu p\u0159\u00edstavu a pobl\u00ed\u017e m\u00edsta v\u00fdbuchu ze 4. srpna 2020. Byla to velmi symbolick\u00e1 volba: o\u017eivit um\u011bn\u00ed tam, kde bylo m\u011bsto zdevastov\u00e1no.<\/p>\n\n\n\n

P\u0159ekon\u00e1n\u00ed chaosu<\/h2>\n\n\n\n
\"\"
Hudebn\u00ed\u010dka Julia Sabra, jej\u00ed\u017e debutov\u00e9 album nese znamen\u00ed exploze 4. srpna 2020.  Tanya Traboulsi<\/em><\/figcaption><\/figure>\n\n\n\n

O p\u00e1r ulic d\u00e1l, ve \u010dtvrti Gemmayzeh, vypr\u00e1v\u00ed hudebnice Julia Sabra u k\u00e1vy svou cestu. Jej\u00ed prvn\u00ed album, prodchnut\u00e9 hlubokou melancholi\u00ed, nese jizvy po v\u00fdbuchu. Toho dne si myslela, \u017ee ztratila man\u017eela, kter\u00fd byl t\u011b\u017ece zran\u011bn. \u201eUv\u011bdomila jsem si, jak rychle se v\u0161echno m\u016f\u017ee zastavit,\u201c p\u0159izn\u00e1v\u00e1. Od t\u00e9 doby je jej\u00ed hudba prodchnuta t\u00edmto intenzivn\u00edm v\u011bdom\u00edm k\u0159ehkosti.<\/p>\n\n\n\n

Kupodivu na ni ned\u00e1vn\u00e9 zvuky bombardov\u00e1n\u00ed m\u011bly paradoxn\u00ed \u00fa\u010dinek: jako by vn\u011bj\u0161\u00ed hluk absorboval jej\u00ed vnit\u0159n\u00ed trauma. Mluv\u00ed o nov\u00e9m ch\u00e1p\u00e1n\u00ed \u017eivota, o strachu prom\u011bn\u011bn\u00e9m v jasnost. \u201eTe\u010f m\u011b d\u011bs\u00ed jen pomy\u0161len\u00ed na ztr\u00e1tu t\u011bch, kter\u00e9 miluji.\u201c V Bejr\u00fatu se tedy kreativita st\u00e1v\u00e1 ventilem, zp\u016fsobem, jak d\u00e1t formu nepopsateln\u00e9mu.<\/p>\n\n\n\n

Um\u011bn\u00ed ve slu\u017eb\u00e1ch uprchlick\u00fdch d\u011bt\u00ed<\/h2>\n\n\n\n
\"\"
Karine Wehb\u00e9 po\u0159\u00e1d\u00e1 um\u011bleck\u00e9 d\u00edlny pro d\u011bti uprchl\u00edk\u016f.  Tanya Traboulsi<\/em><\/figcaption><\/figure>\n\n\n\n

Pro vizu\u00e1ln\u00ed um\u011blkyni Karine Wehb\u00e9 je um\u011bn\u00ed tak\u00e9 soci\u00e1ln\u00edm n\u00e1strojem. Od 90. let \u017eila v Bejr\u00fatu a byla sv\u011bdkem zni\u010den\u00ed sv\u00e9 \u010dtvrti v\u00fdbuchem. Rychle si v\u0161imla d\u011bt\u00ed uprchl\u00edk\u016f \u2013 Palestinc\u016f a Sy\u0159an\u016f \u2013 kter\u00e9 se potulovaly mezi zni\u010den\u00fdmi budovami.<\/p>\n\n\n\n

Tak se zrodil Streetcolors, svobodn\u00fd a spont\u00e1nn\u00ed projekt. Ka\u017ed\u00e9 dva t\u00fddny p\u0159in\u00e1\u0161\u00ed pap\u00edr, pastelky a barvy. C\u00edlem nen\u00ed vy\u0161kolit um\u011blce, ale vytvo\u0159it prostor pro vyj\u00e1d\u0159en\u00ed. \u201eJe to forma arteterapie,\u201c vysv\u011btluje. V rozt\u0159\u00ed\u0161t\u011bn\u00e9m prost\u0159ed\u00ed tyto workshopy obnovuj\u00ed spojen\u00ed, m\u011bn\u00ed perspektivy a navrac\u00ed d\u016fstojnost t\u011bm, kter\u00e9 u\u017e nikdo nevid\u00ed.<\/p>\n\n\n\n

Film o \u017eivot\u011b<\/h2>\n\n\n\n
\"\"
Lana Daher, re\u017eis\u00e9rka ”  Miluje\u0161 m\u011b?”<\/em>  Tanya  Traboulsi<\/em><\/figcaption><\/figure>\n\n\n\n

Re\u017eis\u00e9rka Lana Daherov\u00e1 ve sv\u00e9m filmu \u201eMiluje\u0161 m\u011b<\/em> ?\u201c zkoum\u00e1 kolektivn\u00ed pam\u011b\u0165.   Skladba z rozmanit\u00fdch archivn\u00edch materi\u00e1l\u016f \u2013 filmov\u00fdch klip\u016f, soukrom\u00fdch fotografi\u00ed a fragment\u016f dokument\u016f \u2013 vytv\u00e1\u0159\u00ed intimn\u00ed p\u0159\u00edb\u011bh o Libanonu. Nesna\u017e\u00ed se o chronologii v\u00e1lek, ale o kartografii emoc\u00ed.<\/p>\n\n\n\n

Jej\u00ed pr\u00e1ce, kterou za\u010dala tvo\u0159it v roce 2018, se stala vnit\u0159n\u00edm zkoum\u00e1n\u00edm. Um\u011blkyn\u011b evokuje obrazy ze sv\u00e9ho d\u011btstv\u00ed v Bejr\u00fatu, kter\u00fd je st\u00e1le v trosk\u00e1ch, a zkoum\u00e1, jak se vzpom\u00ednky tvo\u0159\u00ed a p\u0159ed\u00e1vaj\u00ed. Jej\u00ed film, ocen\u011bn\u00fd na mnoha mezin\u00e1rodn\u00edch festivalech, p\u016fsob\u00ed jako smysln\u00e9 zrcadlo zem\u011b, jej\u00ed\u017e pam\u011b\u0165 z\u016fst\u00e1v\u00e1 k\u0159ehk\u00e1, ale p\u0159esto \u017eiv\u00e1.<\/a><\/p>\n\n\n\n

Kreativn\u00ed odpor<\/h2>\n\n\n\n
\"\"
St\u00e9phanie Cachard ve sv\u00e9 \u0161perka\u0159sk\u00e9 d\u00edln\u011b.  Tanya Traboulsi<\/em><\/figcaption><\/figure>\n\n\n\n

Pro n\u00e1vrh\u00e1\u0159ku \u0161perk\u016f St\u00e9phanie Cachard se odolnost projevuje v pe\u010dliv\u00e9m \u0159emesln\u00e9m zpracov\u00e1n\u00ed. Jako vedouc\u00ed d\u00edlny, kterou zalo\u017eil jej\u00ed otec, si udr\u017euje m\u00edstn\u00ed odborn\u00e9 znalosti i p\u0159es opakovan\u00e9 krize. B\u011bhem bombardov\u00e1n\u00ed koncem roku 2024 pokra\u010dovala v navrhov\u00e1n\u00ed, tvorb\u011b a osazov\u00e1n\u00ed drahokam\u016f. \u201eTvorba byla ot\u00e1zkou p\u0159e\u017eit\u00ed,\u201c \u0159\u00edk\u00e1.<\/p>\n\n\n\n

Na jeho stole vis\u00ed krabi\u010dka na l\u00e9ky s n\u00e1pisem \u201eV\u0161echno pom\u00edj\u00ed\u201c. Je to nezbytn\u00e1 mantra, kdy\u017e se pl\u00e1nov\u00e1n\u00ed stane nemo\u017en\u00fdm. Jeho d\u00edlo, kter\u00e9 je v sou\u010dasn\u00e9 dob\u011b vystaveno v Pa\u0159\u00ed\u017ei, ale st\u00e1le m\u00e1 ko\u0159eny v Bejr\u00fatu, symbolizuje tuto neochv\u011bjnou loajalitu k m\u011bstu.<\/p>\n\n\n\n

Zrcadlo Libanonu<\/h2>\n\n\n\n
\"\"
Rima Abdul-Malak vede  L’Orient-Le Jour<\/em>  .  Tanya Traboulsi<\/em><\/figcaption><\/figure>\n\n\n\n

Kone\u010dn\u011b, v  den\u00edku L’Orient-Le Jour<\/em>  , v jeho\u017e \u010dele stoj\u00ed Rima Abdul-Malak, zu\u0159\u00ed dal\u0161\u00ed bitva: bitva o narativ. Po n\u00e1vratu do Bejr\u00fatu, kdy se stala francouzskou ministryn\u00ed kultury, vn\u00edm\u00e1 stolet\u00e9 noviny jako zrcadlo zem\u011b. \u201eNavzdory v\u00fdpadk\u016fm proudu a prob\u00edhaj\u00edc\u00edm omezen\u00edm je zde solidarita skute\u010dn\u00e1,\u201c zd\u016fraz\u0148uje.<\/p>\n\n\n\n

\u010casopis, kter\u00fd v roce 2021 z\u00edskal cenu Alberta Londrese, spojuje diasporu s jej\u00ed domovinou. Je sv\u011bdkem trag\u00e9di\u00ed i znovuzrozen\u00ed, zlom\u016f i nad\u011bj\u00ed. Bejr\u00fat, d\u00edky t\u011bmto \u017een\u00e1m, nen\u00ed definov\u00e1n odolnost\u00ed \u2013 slovem, kter\u00e9 je \u010dasto odm\u00edt\u00e1no \u2013 ale svou nekone\u010dnou schopnost\u00ed znovuzrozen\u00ed. Znovu a znovu.https:\/\/www.youtube.com\/embed\/WY8XBtEuTjI<\/p>\n","protected":false},"excerpt":{"rendered":"ZPR\u00c1VA \u2013  V zran\u011bn\u00e9m, ale neochv\u011bjn\u00e9m hlavn\u00edm m\u011bst\u011b Libanonu \u017eivot nikdy doopravdy nekon\u010d\u00ed. Bejr\u00fat p\u0159etrv\u00e1v\u00e1, n\u011bkdy se hrout\u00ed, ale v\u017edycky povst\u00e1v\u00e1. Seznamte se s \n [...]<\/a>","protected":false},"author":1,"featured_media":5443,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5442","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/fakt24.biz.ua\/index.php?rest_route=\/wp\/v2\/posts\/5442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fakt24.biz.ua\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fakt24.biz.ua\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fakt24.biz.ua\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fakt24.biz.ua\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5442"}],"version-history":[{"count":1,"href":"https:\/\/fakt24.biz.ua\/index.php?rest_route=\/wp\/v2\/posts\/5442\/revisions"}],"predecessor-version":[{"id":5444,"href":"https:\/\/fakt24.biz.ua\/index.php?rest_route=\/wp\/v2\/posts\/5442\/revisions\/5444"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fakt24.biz.ua\/index.php?rest_route=\/wp\/v2\/media\/5443"}],"wp:attachment":[{"href":"https:\/\/fakt24.biz.ua\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fakt24.biz.ua\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fakt24.biz.ua\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}